People reappear, as some of these bands were scouted and signed by the same A&R reps, or started out on the same independent labels as each other, or crossed paths in other ways.
Eventually that led to the popularity of emo, melodic hardcore, and post-hardcore, all of which this book covers.Īs tempting as it may be to skip to the chapter on your favorite band, SELLOUT is best read from start to finish, as it really does tell one story throughout. Nevermind opened the doors for major labels to be scouring the world of aggressive, guitar-based music looking for the next big thing, but just as the grunge fire was fading, Dookie turned the majors' attention towards catchy, punchy punk rock.
The first chapter is on Dookie, though technically the book opens by talking about Nirvana's Nevermind, as the story really does begin there. (Dan previously co-authored Tranny, the memoir by Against Me! frontwoman Laura Jane Grace.) In between, it documents major label debuts by Jawbreaker, Jimmy Eat World, blink-182, At the Drive In, The Donnas, Thursday, The Distillers, My Chemical Romance, and Rise Against. And that's exactly what Dan Ozzi has done with his new book SELLOUT: The Major Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994-2007), which documents the major label debuts by 11 iconic punk bands, beginning with the major label debut that kicked off the punk explosion, Green Day's 1994 LP Dookie, and it ends with the last major label debut album that fueled ire within the punk community, Against Me!'s 2007 LP New Wave. Maybe it's because that era produced so many bands that weren't taken as seriously as their '70s and '80s forebears, but it's a crucial piece of punk history that deserves proper documentation. Of all the many great books that exist on first-wave '70s punk and '80s hardcore, there actually aren't that many that document punk's most popular era: the mid '90s through the mid 2000s.
Pre-order SELLOUT: The Major Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994-2007) in our store.
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